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| In the Media |
Don’t Underestimate the Importance of Color |
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From warm and cozy to cool and calm, color makes or breaks the place we live. Imagine a crisp autumn morning or a bright summer day, then drain the color and feel the mood change. But, can you bring those feelings inside the home using color to create light, mood and space? We spoke to Mary McMurray of Art First Colors, 503-287-4354 www.artfirst.net. She began her career as an interior designer for architects. “I started to research the effect color has on people physically and psychologically,” she said. “I’ve done color for everything from cathedrals to mobile homes." McMurray compares color to music since both create mood. And, she notes people use the word ‘taste’ for both color and food. She cautions clients to keep an open mind. “Often people are surprised to find colors they like,” she said. “I hear people say, ‘I never would have thought of that color.’ The room tells you what looks right. You may think you don’t like red but there might be a coral or pink. That’s the process of discovery." She also warns clients not to choose house colors based on their wardrobe. What looks good on your skin may not look good in your home. “And, don’t copy a paint color you like in someone else’s home without trying out a large sample in your space,” she said. “Every color looks different in every room.” © 2011 Pamplin Media Group, Portland, OR |
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| The Beaverton Valley Times. Verification of comment posted: We've received a request to add a comment to the story: |
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"Mary first provided 'just the right colors' for a wonderful ten, yes, 10-year experience in a previous condo. Tranquility and harmony, were the words most often voiced by visitors to my home. The peaceful colors were a blessing every day, and my husband commented that it was the 'best money we had ever spent in the house.' Upon purchasing another condo in Lake Oswego, my first thought was to consult with her again. Much to my delight, she was able to transform another living space with entirely new colors into life supporting magic. Mary has a talent in designing colors for how you wish to feel in your home and bringing them to life." Lorna, |
Oregon Home Magazine
Art First speaks out in Expert Advice from Color Consultants, Oregon Home Magazine, December-January 2011.
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Oregon Home Magazine
Mary McMurray consulted on the exterior and interior colors for this renovation of Wade Pipes' family home. To read the whole story from Oregon Home Magazine click here for the pdf to download. |
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This Old House
Mary McMurray |
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Oregon Home Magazine |
Aug 2008 Craftsman Casual with ART FIRST as color designer | Click here to read the entire article as a pdf |
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Sunset June 2008 House color design by Mary McMurray of ART FIRST
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Deck and garden design by Darcy Daniels, Bloomtown Garden Design & Nursery, www.bloomown.net photo by Jon Jensen |
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| Read about Art First Colors in the summer issue of Arts & Crafts Homes magazine |
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The new home for which we designed both interior and exterior colors was featured in the Manzanita Tour of Homes |
Coastal Living
A new vacation home at Cannon Beach, featured in the January-February 2007 issue of Coastal Living. Interior colors throughout house, and the tile designs in five bathrooms, are by Mary McMurray of Art First. |
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It's time to paint your circa 1860 house again, and you're beginning to think about colors. Should you stick with the same old white house with black shutters, maybe jazz up the shutter color, or try to find out what shade the house was painted when it was built? Historically accurate does not have to mean dull, yet old homes sometimes seem destined to endure coat after coat of boring gray or white paint. Nowadays, homeowners have numerous options. They can choose vibrant paint colors that are faithful to both the time period of their house and to their taste. Some people think that in order to discover the true colors of an old house, all that's necessary is to scrape through the layers of paint. But getting to the bottom doesn't necessarily mean learning the truth. |
Paint is altered by exposure to the sun and suffers chemical reactions through the years, experts say. For example, linseed oil, a component that might be found in paint on old houses, tends to yellow with time, especially in areas that are not exposed to light. "The original color is no longer there for the untrained eye," explains James Lee of the Society for the Preservation of New England Antiquities (SPNEA). People who depend on scraping "are either matching to a muted or faded color." So, how do you discover the original color of your house? There are several options. One is to have your paint analyzed by a professional. This involves examining samples under a microscope. It's a procedure that can cost from $2,000 to $5,000 and may take four to six days. And once you see the original color there are no guarantees that you're going to like it. Another way to find a historically accurate color is to look through magazines such as "Victorian Homes" and through library books about period architecture. But some people don't have the time or patience to do their own research, in those cases, a professional color consultant can be helpful. Several paint companies now have historical color palettes, yet many of them do not provide enough information about their colors for those who want to be historically accurate. "Often they won't narrow it down to an historical period," says Mary McMurray of Art First Colors for Architecture in Portland, Oregon, which specializes in architectural color consulting. |
If a homeowner is overwhelmed by the choices, SPNEA's Mr. Lee recommends walking around the neighborhood and looking at what other homeowners have done. But just because every house on the block is painted white, your home doesn't have to be white, too. "If you don't like brown, and everyone is telling you your house should be painted brown, there are other options. Don't feel limited to one particular hue," Ms. McMurray advises. Whether you decide to choose your colors yourself, or hire a professional, use patience and common sense. Andy Valeriani of California Paints believes that hasty customers often make the most mistakes - for example, basing their decisions on a paint chip. "Customers think it looks great in the store, and when they get their house done, it doesn't. Test patches on your house." Because older homes may have been part of a number of periods of history, they don't necessarily have to be painted their original color. If you own a Greek Revival house and don't like the typical color schemes from that era, you can always paint it the way it might have appeared in 1880. However, there is one truth that applies to a house, whether it is Victorian or Colonial: Some things are not meant to be. There is a fine line between the bold and the grotesque. "If you get 20 gallons of bright pink, it won't look good. Bad taste is just bad taste," McMurray says flatly. www.csmonitor.com |
| ELEMENTS OF STYLE / Getting underneath the great outdoors By LORI MENDOZA People have been painting their porch ceilings blue since
the mid-1770s, when Prussian blue pigment became widely available
for the first time. Prussian blue, invented in Germany, is one
of the first blue pigments that could be mixed with white lead
and linseed oil to make paint. Lori Mendoza can be reached at mendozalori@hotmail.com. |
Photo by Serge A. McCabe of The Oregonian |
Accent wallsTry a color variation on one wall to liven up your interiorBy Mary Jo Bowling |
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| Creating an accent wall - that is, using color to treat one wall differently from the others in a room - is like adding an exclamation point at the end of a sentence. It adds excitement and importance to a space. "In many rooms you don't have a sense of architecture or style," says colorist Mary McMurray of Art First Colors for Architecture in Portland. "Creating an accent wall is a simple way to provide vibrancy and a sense of place." | |
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ART FIRST specified a rich, dark mahogany paint for the accent wall in this luxurious family room, and sophisticated colors for ceiling, walls and trim. |
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At left: after.
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Below: before
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By Lori Mendoza | |
| Color pro makes minty ensemble a misty memory | ||
PROBLEM: Mint green on Jack and Marion Newlevant's 1909 house felt like a shoe on the wrong foot. Designed for ranch-style houses and modular buildings of a later era, the color didn't bring out the architectural details of their Southeast Portland home. After stripping the house to bare wood, the couple struggled to find suitable colors. "We just didn't know where to start," Jack Newlevant says. SOLUTION: Hire a color consultant. Mary McMurray of Art First Colors for Architecture helped the Newlevants define a palette of historically accurate colors for their home. Like any good color consultant, she is trained to see and judge the subtle differences in colors and know how they will react in different light and with other colors. HOW SHE DID IT: McMurray took the pressure off by breaking down color choices. She prefers that houses have at least three colors: one for the body, another for trim and a third for architectural accents. |
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STYLE POINTS: Another consideration is architectural
style. She had some latitude with the Newlevants' predominantly
Craftsman-style house because of its colonial-revival elements,
such as round porch columns and square corner pilasters. PUT IT ON PAPER: McMurray sketched the Newlevants' home prior to painting, shading it to show how the new colors would look The final sketch also went to the painter. AND THE WINNER IS: The home's new gray-green body, off-white trim and tan and blue-green accents made the awkward mint shade into a memory. |
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| After reviewing a shaded sketch from the consultant, the home owners settled on a rich gray green more appropriate for the 1909 house than its minty predecessor | You can reach Lori Mendoza of The Oregonian Homes & Gardens by e-mail at mendozalori@hotmail.com. | |
home place Moods & Hues |
FOR THE PREFERRED
CUSTOMERS OF ACE HARDWARE |
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COLOR paints our dreams and memories, and at times it dominates our vision of a particular moment. Think of a perfect sunset. The fading tints draw hints of romance and sentimentality. Or consider that certain blues build a sense of calmness and trust. Scientific research -- and even some common sense -- tells us that colors greatIy affect our moods and emotions. Everything from schools to day-care facilities to offices are painted to stimulate the people inside them. In short, there are few forces that shape our sense of style and personality like color. That's why we're painting with personality. While many homeowners approach interior renovation projects with some anxiety, it may help to know that the costs of a makeover may not be so high. Experts say the most inexpensive way to change the look of a room is to change its color. While that look may eventually include the entire palette of a room's furnishings and decor, the paint on the walls is where it starts. With all the focus on color, what about traditional white? Homeowners have used that color for years. People are painting with more shades now because the average home is much different these days. Most homes of today are much more of a home base than a residence -- a foundation for our personalities, if you will; the refuge where we gather with family and friends. Even when we're alone, we're spending more time at home with our entertainment centers, home offices, computers, high-tech kitchens and backyard grills. That gradual shift explains the dramatic possibilities for an increasing number of homeowners. |
Mary McMurray, a professional colorist who serves both consumer and professional clients, offers the following suggestions:
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